Le Cheval de Bois

2026, stoneware and porcelain with glaze and stains, approx. 30 h x 28 dia cm.

Residues of the past surface – cracks visible, revealing what memory cannot let go. The push and pull of clay mirroring an interior world warped by ideas of race, normality, gender, and the dark shadows of violence. 

At times the self ruptures; at others it is barely held together. The mends do not hide the cracks but draw attention to them, marking each fracture as a badge of survival. In the kiln, heat brings forward what was already there: memories embedded in the clay. What remains is both vulnerable and powerful, fragmented yet alive.

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